📍Loci: Breaking The Frame: How a Single Photograph Became a Threshold.
And perhaps this is where the photograph does its best work. Not in what it contains, but in what it releases.
And perhaps this is where the photograph does its best work. Not in what it contains, but in what it releases.
A nod to Banister Fletcher: 🐲 on metalwork
Deeper dives into place and people for Members Only
Weighed down with the complexities of modernity, I stand before the porch of St. Peter and St. Paul and take on the mantra of Bacon's Novum Organum.
I place my thumb upon the latch and press. It makes a delicious ‘click and clump.’ I think of the person I’ve just seen walk in through the door before me. They pressed it too.
If I were a Banksy or an Emin, and presented the world with an object that had been shaped by the collated, nuanced press of several thousand people over five hundred years, I’d think I was onto something.
The west front doors at Lichfield are covered in decorative metalwork. They warrant a closer inspection - the clasps and keyhole covers are as intricate as the cusping on the stone work.
Material Culture in Abstract From the sublime to the (supposedly) mundane - our material culture throughout the British Isles is a palimpsest of artefacts that reflect our endeavour to create beautiful things from every material at hand. This post records our material culture in abstract. MEMBERS ONLY...
During my visit, I enter the church via the porch which has an angel topped gate that houses a lock and latch that is a shrine in itself - a secular shrine to its maker.
✨ Wondering why I ask for support?
An Anxiety of Memberships